Review: Best of 2012 Theatre

Review: Best of 2012 Theatre

The end of the year and time to once again reflect on the year’s theatrical offerings and try to assemble a list of highlights. In many ways this was a year where sport interrupted the theatrical calendar with the Olympic and Paralympic Games eating into the theatre going and providing their own unique, and hard…

Review: Pulse Fringe Festival: Ours Was The Fen Country – New Wolsey Studio, Ipswich

The fenlands of East Anglia are an unsettling area. The vast expanse of big skies and dark earth seeming somewhat unnatural to visitors. It’s an area that has undergone considerable change as man drained the land to create some of the most fertile land in the country. Dan Canham and Silent House have used interviews…

Review: Pulse Fringe Festival: Under Stokes Croft – New Wolsey Studio, Ipswich

To begin at the beginning, so starts Dylan Thomas’s epic narrative poem Under Milk Wood, detailing 24 hours in the life of a small, fictional fishing village. It’s also an appropriate line in which to kick off Ipswich’s 12th Pulse Fringe Festival. Bristol-based poet Jack Dean has updated Thomas’s epic poem to his home city….

Review: I’m An Aristocrat, Me Out Of Here – Theatre Royal, Bury St Edmunds

Liberté, égalité, fraternité, a rallying cry for change in Revolutionary France. The overthrow of French aristocracy has proved a fertile ground for inspiration of dramatic works from the serious to the comedic. Baroness Orczy’s The Scarlet Pimpernel, for example, looked at an enigmatic hero, determined to rescue the nobility from under the revolutionist’s noses. Pimpernel…

Review: Showstoppers! The Improvised Musical – Theatre Royal, Bury St Edmunds

As the houselights dim the cast are unsure of the show they are about to perform. Characters undeveloped and words unknown. No, not an example of bad planning but the bravery of a company who improvise a brand new musical from scratch each night, based on audience suggestions. For their 341st musical, the Showstoppers company…

Review: Roaring Voices(part2): Hotbed Festival – The Junction, Cambridge

As part of Menagerie’s Hotbed Festival, eight authors were invited to create eight new monologues especially for the festival. The brief was open but with a suggestion of a ‘looking back and looking forward’ theme. The monologues are presented in two batches during the festival. Death Of A Cyclist Writer: Steve Waters Performer: Emma Beattie…

Review: Roaring Voices(part1): Hotbed Festival – The Junction, Cambridge

As part of Menagerie’s Hotbed Festival, eight authors were invited to create eight new monologues especially for the festival. The brief was open but with a suggestion of a ‘looking back and looking forward’ theme. The monologues are presented in two batches during the festival. Mind Detox Writer: Esther Shanson Performer: Laura Pyper Director: Patrick…

Feature: State Of The New Writing Nation – Hotbed Festival, The Junction Cambridge

In the middle of a weekend celebrating the power of new theatre writing, what actually is the situation for new writing across the county? In a lively debate chaired by Guardian theatre critic Lyn Gardner, a panel of playwright Mike Bartlett, Paines Plough’s Artistic Director James Grieve, and Liverpool Everyman’s Literary Manager, Suzanne Bell, together…

Feature: Time to include a £ declaration alongside the star rating?

Openness. Honesty. Transparency. It sounds like a political manifesto mantra but as the industry increasingly comes under public scrutiny for value for money how open and honest should we be? I’m not talking about dodgy deals here or financial mismanagement but wonder how honest, open and transparent our arts coverage is? There have been many…

2011 Theatre In Review

The sets have been packed away, the lights de-rigged, costumes washed and the actors moved on to learning their next set of lines (or scouring The Stage for that elusive next audition). Unlike some award ceremonies that drag on for days with awards for best use of vegetables, outstanding performance by a second trombone and most…

Review: Robin Hood And The Babes In The Wood – New Wolsey Theatre, Ipswich

Guitars, saxophones and drum kits aren’t normally the first thing that spring to mind when you think of pantomime but, for Ipswich audiences, the New Wolsey’s Rock ‘n’ Roll panto has become something of a tradition over the last 10 years. Over that past decade the format has occasionally seemed to run out of steam,…

Review: Round The Twist – Sir John Mills Theatre, Ipswich

Chestnuts roasting on an open fire, carollers singing, snow falling and Charles Dickens. Christmas wouldn’t be the same without any of this traditional festive images but Dickens will never quite be the same again after Eastern Angles irreverent alternative to conventional panto fare. Budding author Oliver Nicklefield has engaged a troupe of travelling actors to…

Review: The Strange Case of Doctor Jekyll and Mr Hyde – Queens Theatre, Hornchurch

Two sides to every story, two sides of a coin and for Dr Jekyll two personalities residing in one body. The man of research and science and the inner beast driven by lust, fury and passion. Robert Louis Stevenson’s novella is surprising brief, a mere collection of short stories, but it has provided the inspiration…

Review: Romeo And Juliet – New Wolsey Theatre, Ipswich

Our destiny may be written in the stars and, for Shakespeare’s Romeo and Juliet, it seems their fate is certainly being guided by the wider cosmos. Suitably for this pair of ‘star-cross’d lovers’, Night Light Theatre’s thrilling adaptation, moves the action, from its traditional Verona setting, onto the celestial plane; the fateful couple guided across…

Review: The Merchant Of Venice – Royal Shakespeare Theatre, Stratford Upon Avon

What happens in Vegas, stays in Vegas goes the saying, and in Rupert Goold’s exuberant transplanting of the neon-lit Nevada Strip instead of the original Venetian backdrop, the dark dealings played out in the Merchant of Venice seem ideal to remain behind the casino doors. Except Goold chooses to play the racism, romantic fantasy and…

Review: Joseph and the Amazing Technicolor Dreamcoat – Cliffs Pavilion, Southend On Sea

Bill Kenwright’s tour of Lloyd Webber and Rice’s Joseph and the Amazing Technicolor Dreamcoat is the stuff of theatrical legend. While Agatha Christie’s The Mousetrap may be ensconced for ever in the West End, Kenwright’s touring version of the biblical rags to riches tale has been touring the regions for the over 20 years, breaking…

Review: The Animals and Children Took To The Streets – Latitude Festival

A run-down tenement, swarming with cockroaches, arts clubs, collages and children roaming free. No, not a summary of the Latitude Festival camp sites but 1927’s festival steeling performance of their latest work The Animals and Children took to the streets. Showing that their thrilling Between the Devil and The Deep Blue Sea was more than…

Review: Jekyll and Hyde(ish) – Latitude Festival

Take three companies renowned for comic theatre, one lively festival audience and a late night slot and you’ve got the ingredients for something rather special. The Lyric Hammersmith, Spymonkey and Peepolykus join forces to present Joel Horwood’s Jekyll and Hyde(ish), and adaptation of Robert Louis Stevenson’s classic tale. Though you’ve not seen anything quite like…

Review: Latitude Festival Day 2

This is more like it. After yesterday’s early rain, the summer returns with blue skies and soaring temperatures at Latitude. While yesterday was all about wellies and mud, today it is suntan lotion and avoiding sunburn. Welcome to the vagaries of the great British summer. There’s a chill in the air however for the day’s…

Review: Latitude Festival Day 1

So the traditional British Summer plays it usual card and, as thousands of festival goers head to Suffolk, the skies darkened and the Heavens opened. So began the sixth Latitude Festival in Henham Park. The ‘Aussie Earl’ described it as light British rain but, whatever the terminology, it was clear that the de rigour footwear…

Review: Richard III – Old Vic

The Shakespearian equivalent of the joke about waiting for a bus then two coming along continues. After the raft of Hamlets and King Lear’s playing concurrently recently it’s now the turn of Richard III to invade our stages. Propeller bringing their widely acclaimed, all male version, to Hampstead, and Kevin Spacey starring in the final…

Empire – Pulse Fringe Festival

After the lights dim and the audience leaves what remains? In a deserted auditorium a ghostly singer, a musician and a solitary audience member run through one final cabaret performance, a performance that is likely to replay through eternity. In Empire, François Testory creates a dark, shadow world where the boundaries between reality and make…

Babyboxes – Pulse Fringe Festival

Street theatre – the very phrase can strike terror into the heart. For every wonderful performance there is a plethora of dodgy mime artists, metallic spray clad statue artists and mishap jugglers. Bootworks Theatre, however, have reinvented street theatre and with their latest creation Babyboxes have dragged theatre out of its traditional home and out…

Corrie – Ipswich Regent

The familiar notes of Britain’s longest running soap run over a panning shot across the rooftops of a Manchester terrace. As part of its 50th Anniversary celebrations Corrie has come to the stage. Does Bet feature? What about Hilda and her ‘murials’? Does Ken get another wife? Does Minnie Caldwell’s cat make an appearance? We…

The Gospel of Matthew – Theatre Royal Bury St Edmunds

Stage and Church have been intrinsically linked over the centuries. Occasionally in conflict over content and ideology, there is also something overtly theatrical involved in many religious rites; the tradition the ceremony and the oration of the sermon all containing elements of performance. In this Easter week, it is therefore perhaps appropriate that George Dillon…

Wastwater – Royal Court

Still waters run deep in Wastwater, Englands deepest lake and there are also dark secrets buried just beneath its shadowy waters. The lake is the inspiration, and provides the title, for Simon Stephens’ new play, but instead of being set in the Lake District, for some reason the action takes place in various locations around the…