Company – Southwark Playhouse

After the glut of Sondheim stagings, concerts and celebrations to mark his 80th birthday last year, Southwark Playhouse has waited until the glut died down to produce Company as their first ever musical. It’s an inspired setting as the bare brick of London Bridge railway arches easily conveys Manhattan loft living. Company really works well…

Greenland – National Theatre

How many playwrights does it take to draft a piece on global warming? According to the National Theatre it takes four but sadly Greenland, the end result, is not something any of the quartet will be listing on their greatest achievement lists. There is so much potential here, an emotive topic, first class writers, the…

Twelfth Night – Cottesloe

Sir Peter Hall’s 80th birthday present from the National Theatre was the opportunity to direct his Daughter Rebecca in Twelfth Night. It’s a piece Hall has visited four times in his long career but in this production more than ever he focuses on the text over staging. Staged on an almost bare stage in the…

Becky Shaw – Almeida Theatre

Despite what TV shows such as Friends would have us believe, life for 30-something American’s doesn’t always end happily ever after. Gina Gionfriddo’s Becky Shaw arrives at Islington’s Almeida Theatre after success off-Broadway, and while the comedy may be American it transfers well to a UK audience. Here is the ultimate case of happy families…

The Glass Menagerie – Young Vic

It has been a vintage year for Tennessee Williams. His early Spring Storm revived in a stunning production at the Royal & Derngate Northampton and then the National Theatre and now his first major commercial success receives a touching revival at the Young Vic. It is an immensely personal show, perhaps Williams’s most autobiographical, echoing…

Dracula – Greenwich Playhouse

A caveat first – this review is based only on Act 1. It is extremely rare that I leave a production midway through a performance but, sadly, this production joins those ranks. A stage adaptation of Bram Stoker’s supernatural thriller should be dark, full of other-worldly elements and chills. Sadly Sell A Door Theatre Company’s…

Company – Queens Theatre

The second of the Donmar Warehouse’s concert celebrations for Sondheim’s 80th birthday turns attention to his 1970 score Company. This one was a hit for the Donmar back in 1995 and as with last weeks Merrily We Roll Along features many of the cast of that production. Also like Merrily Company is not your traditional linear…

Passion – Donmar Warehouse

Stephen Sondheim’s Passion is perhaps one of his more complex works, a deeply dark tale with no conventional numbers, it is not an easy viewing. As part of its birthday tribute to the octogenarian composer, the Donmar Warehouse turns out a ravishing production. Given the intimate nature of the score, it works well as a…

Hamlet – Crucible Sheffield

Given the glut of Danish princes theatres have experienced recently, it is difficult not to compare one Hamlet against another. Obviously each production is a stand alone product and therefore any comparison is perhaps unfair. The latest entry into the Hamlet market is John Simm, taking to the Sheffield Crucible stage in his first Shakespearian…

Enlightenment – Hampstead Theatre

Enlightenment – a. The act or a means of enlightening  or b. The state of being enlightened. Sadly Edward Hall’s debut as Artistic Director of Hampstead Theatre does neither. Shelagh Stephenson’s latest play Enlightenment kicks of Hall’s tenure at Swiss Cottage. Billed as a physiological thriller it looks good on paper; parents struggling to come…

Yes, Prime Minister – Gielgud

You’d have thought with public confidence in MPs at an all time low with tales of floating duck houses, employment of illegal immigrants and second home flipping, any comedy based on the political machine would seem tame in comparison. Alan Jay and Jonathan Lynn’s stage update of the classic TV series Yes, Prime Minsister, now…

Henry V – Eye Castle

There’s something ‘State of The Nation’ like about Henry V, the rousing speeches, the overtly patriotic call to arms, and the distillation of what actually it is to be British. It makes it one of Shakespeare’s most adaptable and accessible plays. Perhaps it also says much about the British psyche, with audiences willing to brave…

Wolfboy – Trafalgar Studio 2

In their first full scale musical, Traflagar Studios are giving Wolfboy, a hit from last years’ Edinburgh fringe its West End debut. Though given the backing track is pre recorded you do wonder if the Musicians Union would agree this is a full scale musical. It’s a dark, disturbing piece, but then again any show…

Ghost Stories – Duke Of Yorks

There is always a danger when a show’s publicity machine has ramped up the hype to such a level that expectations will not be met. Ghost Stories advertising material boldly carries a health warning about the show’s extreme terror and advises those of a nervous disposition to stay away. This pre-show tension is further enhanced…

Rent – New Wolsey Theatre

Over the years Gallery Players have never been afraid of tackling challenging pieces but even then tackling Jonathan Larson’s rock musical Rent was an ambitious leap. Thankfully it’s a leap worth taking and turns out to be a highlight of the theatrical year. Larson’s update on La Boheme follows a year in the life of…

Elektra – Young Vic

With no previews, no press night, and no charge for tickets, the Young Vic and Headlong’s co production of Elektra was intriguing. As this was free would it be a cheap and cheerful production? No, in fact it turns out to be a fully realised, visually impressive and beautifully acted production worthy of a long…

Moscow Live – HighTide Festival, The Cut Halesworth

With the televised leader’s debates currently generating huge public interest, it is an interesting time to examine the relationship between the state and television news. How is journalistic freedom compromised if you find yourself working for a state controlled television station? That’s the starting premise of Serge Cartwright’s debut play at the HighTide Festival. Drawing…

Moscow Live – HighTide Festival, The Cut Halesworth

With the televised leader’s debates currently generating huge public interest, it is an interesting time to examine the relationship between the state and television news. How is journalistic freedom compromised if you find yourself working for a state controlled television station? That’s the starting premise of Serge Cartwright’s debut play at the HighTide Festival. Drawing…

Rope – Almeida Theatre

As one of the few people on the planet who has never seen the Hitchcock film version of Rope this was one with no preconceived expectations. The intimate space of the Almeida Theatre in Islington has been transformed for this production into ‘theatre in the round’ – well more octagonal than round but you get…