Feature: Time to include a £ declaration alongside the star rating?

Openness. Honesty. Transparency. It sounds like a political manifesto mantra but as the industry increasingly comes under public scrutiny for value for money how open and honest should we be? I’m not talking about dodgy deals here or financial mismanagement but wonder how honest, open and transparent our arts coverage is? There have been many…

2011 Theatre In Review

The sets have been packed away, the lights de-rigged, costumes washed and the actors moved on to learning their next set of lines (or scouring The Stage for that elusive next audition). Unlike some award ceremonies that drag on for days with awards for best use of vegetables, outstanding performance by a second trombone and most…

Naming Names

You have you actors, you have your script, the costumes and set are ready, and the props are all sorted. All systems go then for your first performance? Forgotten anything? It may seem a simple thing but what about a cast list? How will people know what your show is about and, more importantly, who…

Looking Outside The Arts

Amid all the furore over the current arts funding crisis, there has been a lot of talk of the arts embracing wider corporate business acumen. It makes sense; the arts, while historically adept at making slim budgets stretch, is not alone in facing tough business decisions. And that’s the key word – business. While it…

The Gospel of Matthew – Theatre Royal Bury St Edmunds

Stage and Church have been intrinsically linked over the centuries. Occasionally in conflict over content and ideology, there is also something overtly theatrical involved in many religious rites; the tradition the ceremony and the oration of the sermon all containing elements of performance. In this Easter week, it is therefore perhaps appropriate that George Dillon…

Taking responsibility

Who has responsibility for customer service in your organisation? If you produce your own product it may seem straightforward but, if you are a receiving venue, perhaps the boundaries are less clear. Add in ticket agencies, producers and production companies, and the situation blurs even more. Does it matter? Well in these times of increasing…

Rent – New Wolsey Theatre

Over the years Gallery Players have never been afraid of tackling challenging pieces but even then tackling Jonathan Larson’s rock musical Rent was an ambitious leap. Thankfully it’s a leap worth taking and turns out to be a highlight of the theatrical year. Larson’s update on La Boheme follows a year in the life of…

Elektra – Young Vic

With no previews, no press night, and no charge for tickets, the Young Vic and Headlong’s co production of Elektra was intriguing. As this was free would it be a cheap and cheerful production? No, in fact it turns out to be a fully realised, visually impressive and beautifully acted production worthy of a long…

Does theatre resemble John Lewis?

There is an interesting letter in tonight’s Evening Standard bemoaning the fact that recent visits to the Donmar Warehouse have resembled “John Lewis on a Wednesday Afternoon”. The author also notes “Yes it’s great to have mailing lists so the oldies can fill their time with theatre visits booked months in advance, which means financial…

Does theatre resemble John Lewis?

There is an interesting letter in tonight’s Evening Standard bemoaning the fact that recent visits to the Donmar Warehouse have resembled “John Lewis on a Wednesday Afternoon”. The author also notes “Yes it’s great to have mailing lists so the oldies can fill their time with theatre visits booked months in advance, which means financial…

Moscow Live – HighTide Festival, The Cut Halesworth

With the televised leader’s debates currently generating huge public interest, it is an interesting time to examine the relationship between the state and television news. How is journalistic freedom compromised if you find yourself working for a state controlled television station? That’s the starting premise of Serge Cartwright’s debut play at the HighTide Festival. Drawing…

Moscow Live – HighTide Festival, The Cut Halesworth

With the televised leader’s debates currently generating huge public interest, it is an interesting time to examine the relationship between the state and television news. How is journalistic freedom compromised if you find yourself working for a state controlled television station? That’s the starting premise of Serge Cartwright’s debut play at the HighTide Festival. Drawing…

Hair – Gielgud Theatre

There is a lot of history associated with Hair, back in 1968 it was the first West End production to feature full frontal nudity, the first mixed race musical and certainly the first to include a song entitled Sodomy. Now revived at the Gielgud, the show is once again making history, importing the entire Broadway…

Hair – Gielgud Theatre

There is a lot of history associated with Hair, back in 1968 it was the first West End production to feature full frontal nudity, the first mixed race musical and certainly the first to include a song entitled Sodomy. Now revived at the Gielgud, the show is once again making history, importing the entire Broadway…

Woyzeck – New Wolsey Studio

There are some shows you just have to shrug your shoulders on and just admit they are not for you. Sadly for me The New Wolsey Young Companies latest offering Woyzeck falls into that catergory. While you have to admire the enthusiasm and courage to try something different, the sum of the parts just didn’t…

Woyzeck – New Wolsey Studio

There are some shows you just have to shrug your shoulders on and just admit they are not for you. Sadly for me The New Wolsey Young Companies latest offering Woyzeck falls into that catergory. While you have to admire the enthusiasm and courage to try something different, the sum of the parts just didn’t…

Love never dies, it’s just delayed

So Love Never Dies won’t be heading to Broadway this November after all. Really Useful have announced that the production will be delayed until ‘Spring 2011’ on medical orders. http://www.thestage.co.uk/news/newsstory.php/27792/love-never-dies-delays-broadway-run-until Given what can only be at best described as ‘mixed’ reviews, it is perhaps an opportunity for the creative team to go back to the…

Love never dies, it’s just delayed

So Love Never Dies won’t be heading to Broadway this November after all. Really Useful have announced that the production will be delayed until ‘Spring 2011’ on medical orders. http://www.thestage.co.uk/news/newsstory.php/27792/love-never-dies-delays-broadway-run-until Given what can only be at best described as ‘mixed’ reviews, it is perhaps an opportunity for the creative team to go back to the…

The demise of the Box Office?

Okay – in this day and age of open and honest communication I need to declare an interest in this subject. Having spent many a happy year working in various box offices, it’s a subject close to my heart. This week The Society of London Theatre has just published findings showing that, since 2003, online…

The demise of the Box Office?

Okay – in this day and age of open and honest communication I need to declare an interest in this subject. Having spent many a happy year working in various box offices, it’s a subject close to my heart. This week The Society of London Theatre has just published findings showing that, since 2003, online…