I’ve already put pen to paper (keyboard to screen?) looking at some of my ‘must sees’ for 2012 but those shows have been outside the West End.
With increasing prices, ‘premium’ seating, restoration fees, booking fees, handling fees etc. before you even start to think about transport, programmes and a second mortgage to buy an interval drink, the West End has somewhat dropped down my theatre going agenda. There are a few shows however that are likely to tempt me back onto Shaftesbury Avenue and the surrounding environs.
Sweeney Todd – Adelphi Theatre
Having seen this remarkable revival of Sondheim’s gothic opera at Chichester, it was clear the show was destined for a West End berth. Clearly designed for a prosc theatre rather than Chichester’s thrust, and with the star casting of Michael Ball and Imelda Staunton, it was always London bound. The updated setting may upset some but the sheer power of the production overcomes any niggles.
Top Hat – Aldwych Theatre
The regions have been enjoying this unashamedly retro musical for much of 2011 and it’s a sheer delight. A good old fashioned musical spectacular that now taps its way into London.
The Lion, The Witch And The Wardrobe – Kensington Gardens
Ok, so not officially West End but the combination of C.S.Lewis, theatrical magic and Rupert Goold make this a must see.
Long Days Journey Into Night – Apollo
It is indeed a long journey so take a cushion but Eugene O’Neil’s American classic sees David Suchet return to the Apollo after his triumph in All My Sons.
Cymbeline – Barbican Theatre
Yukio Ninagawa returns to the Barbican with his trademark, groundbreaking, visually stunning productions. His Japanese Hamlet remains one of the clearest productions of the piece I have ever seen.
And though nothing is announced yet lets hope that Sheffield’s Company and West Yorkshire Playhouse/Derby Live/Royal & Derngate’s The Go Between find a London home this season.
After the glut of Sondheim stagings, concerts and celebrations to mark his 80th birthday last year, Southwark Playhouse has waited until the glut died down to produce Company as their first ever musical. It’s an inspired setting as the bare brick of London Bridge railway arches easily conveys Manhattan loft living. Company really works well…
It’s hard to recall when a new musical opening has been met with such anticipation in the West End. Yes, recent openings may have garnered plenty of press attention but that’s often been on the back of celebrity casting or TV talent shows. The Book of Mormon arrives at the Prince of Wales on a…
From a director who is know for his hi-tech productions, Rupert Goold’s RSC production of Romeo and Juliet is strangely traditional. Well traditional with a twist. For this is a Romeo and Juliet for our times, while the ensemble are in period dress our lead protaganists are in modern dress, Romeo on a guided tour…
Back in October 2011 I reviewed Chichester Festival Theatre’s sell out production of Sweeney Todd. It was clear then that this show was destined for a life beyond its Sussex run; the star casting of Michael Ball and Imelda Staunton just one clue to its future potential. As widely predicted the show has now landed…
We are gathered here today to celebrate the 35th birthday of Bobby the eternal bachelor. Or his he? Does he really want to get married or is being single his default state? While his friends are all married, to various degrees of unhappiness, Bobby remains resolutely single. Sondheim’s Company has always given directors a quandary…
Beware the quiet ones. The most chilling and dark murderers tend to be those you would never suspect and, in Jonathan Kent’s sublime revival of Sondheim’s Gothic opera, Sweeney Todd, the demon barber journeys from the everyday to maniacal with alarming quiet. Sondheim’s darkest musical takes a look at a wronged barber who quietly plots…